marina diamandis family jewels
The Family Jewels is the debut studio album by Welsh singer Marina Diamandis, released under the stage name Marina and the Diamonds. 825646836253; CD). As the chords rise triumphantly behind it, the final note droops dejectedly: it's a little thing, but it's more powerful than all the album's amateur dramatics put together. Released 22 February 2010 on 679 (catalog no. All rights reserved.
And so to track four, Girls: oompah-oompah, all YOU say IS blah-BLAH-blah.As you might imagine, this amount of affectation is a bit exhausting: you get the impression that Diamandis couldn't tell you where the nearest cashpoint is without crossing her eyes, blowing a raspberry and doing quote marks with her fingers every other word. For the most part, they're really good pop songs, too. Marina Lambrini Diamandis (sinh ngày 10 tháng 10 năm 1985), được biết đến với biệt danh là Marina (cách điệu là MARINA).Trước đây sử dụng nghệ danh là Marina and the Diamonds, là một ca sĩ nhạc sĩ. This is a technique in which eveRY othER sylLAble IS draMAtiCALly OVer-EMphaSISed, the better to convey to the listener the same message Diamandis subtly communicates during The Outside by screaming, "I'm a fucking WILD CARD," at the top of her voice.You could argue that this kind of thing represents a reaction to the post-Mariah-Carey-heavily-melismatic-Waaah!-Bodyform! Hailing from the same school of self-aware artifice as Lady Gaga and Little Boots, Marina Diamandis’ debut as Marina And The Diamonds benefits—and suffers—from the same irony-laden emptiness. © 2020 Guardian News & Media Limited or its affiliated companies. style will sing a song about reachin' for her dreams, so within seconds of The Family Jewels' opening, you're gripped by the absolute certainty that, at some point, this album will feature a Brecht and Weill-influenced oompah-oompah song in which the I'm-a-bit-nutty staccato is deployed as if it's about to be declared illegal. The Family Jewels, an Album by Marina & the Diamonds. The more cynically minded might suggest that, at root, it's actually no different: a load of irritating vocal tics designed to convey a depth of emotion that, if it actually existed in the performance in the first place, wouldn't need a load of irritating vocal tics to convey it. The lovely delicacy of I Am Not a Robot's tune is easy to miss when there's a woman doing Dalek voices over the top of it. Certainly, you could argue that it's equally predictable. Consider A wildcard Diamandis is patently not. She’s not exactly green around the gills though; after more than one failed attempt at making it in bands and musicals, Diamandis decided to go it alone.This means that her rise from obscurity to first album proper has involved determination and hard work and my word, doesn’t she want you to know it?
With every album Marina, now 33, has offered a different persona, focus and tone, attracting and dismaying fans and critics with each change. It's also counterproductive: the closer she gets to herniating herself trying to convince you that you're listening to a crazy avant-garde artist making pop music by accident, the more convinced you become that she's a canny operator writing pop songs and then dressing them up in a multicoloured afro wig and glasses with eyeballs on springs. Still, the most apposite comparison may be even more recherche: Lene Lovich, the plait-haired, boggle-eyed one-hit wonder who had previously found gainful employ as a professional screamer in horror movies.
Featured peformers: Marina (vocals, writer), Mat Maitland (sleeve). Marina and the Diamonds The Family Jewels (679) Buy it from Insound In pop music, the best artists are the ones that keep it fun and hold your attention.
"We've got obsessions," runs the chorus of Obsessions. As much as she’d like us to believe she’s some kind of individualistic trail-blazer, Counter-intuitively, it’s when Diamandis really lets go and turns the crazy up to eleven that It seems these are the exceptions rather than the rules, sadly. The Lovich comparison seems fitting not because anything on The Family Jewels sounds especially like her 1979 smash Lucky Number – rather than taut new-wave guitars, it's based around piano, decorated with frantically arpeggiating synthesisers, electro bass, thumping Adam and the Ants drums, the occasional touch of Auto-Tune – but because of the panoply of vocal tics Diamandis applies over the course of the album. These variously include a bleating vibrato, animal impersonations, shrieking, doing funny voices – Cockney geezer, drawling American, mannered posho, take-me-to-your-leader robot, Frank Spencer, Jimmy Saville and so on – and the reliable watch-out-everybody-I'm-a-bit-nutty staccato. Just as you know that sooner or later the female singer who tends to the heavily-melismatic-Waaaah!-Bodyform! It was released on 15 February 2010 by 679 Recordings and Atlantic Records. The Lovich comparison seems fitting not because anything on The Family Jewels … The main lyrical themes of One theory which could potentially have legs as to why Diamandis is so keen to hog the spotlight is that the accompanying music and arrangements are so pedestrian that she uses her voice to disguise the record‘s shortcomings. It’s a worthy tradition that arguably reached its zenith in the 1980s, where Adam Ant, ABC and Madness amongst others did their bit to keep the charts boredom-free. Diamandis has a strong melodic facility that expresses itself in indelible choruses. In pop music, the best artists are the ones that keep it fun and hold your attention. There's no doubting that Marina Diamandis can write great pop songs.
Here, however, 'The Family Jewels' reached 138 on Billboard, leaving her as a relative unknown. The latter turns out to have less to do with music than Diamandis's half-Greek, half-Welsh background, which seems a shame: Aphrodite's Child's stock-in-trade was lengthy songs about the imminent apocalypse sung in a tremulous warble, which is something you don't get too much of in the charts these days. If, as we’re told, this is the sound of the future, it’s slightly concerning that it appears to be a sanitised version of La Roux’s brittle, fractured synths. Marina & The Diamonds, otherwise known as Marina Diamandis, is a Greek pop singer whose album has gone gold in the UK and has earned three top 40 hits there.
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